Tawny Chatmon b. 1979
The Restoration/ Crowned in Memory, 2025
Acrylic paint and hand-stitched threadwork on archival pigment print
38 x 38 in.
96.5 x 96.5 cm
96.5 x 96.5 cm
Copyright The Artist
A portrait of a young Black girl standing against clouds. On top of her hat sits a vintage Black couple cake topper, found in an antique store. Alongside them, two figurines of Black boys eating watermelon turned gold, representing the Black family in a celebratory light. The hat itself, loosely inspired by the church hats worn by my grandmother and aunts, is also reminiscent of a crown.
Digitally superimposed onto the hat as brooches are two historical references: a 16th-century cameo bust of an African boy (https://www.metmuseum.org/art/collection/search/198288) and the face from the bust of an African princess mantel clock by Jean-Baptiste-André Furet, ca. 1784 (https://www.metmuseum.org/art/collection/search/202227) positioned as sacred symbols of history and legacy, rather than ornaments.
Hand-stitched directly onto the photograph, golden botanical motifs with stems decorate the lower part of her hat, symbolizing growth and legacy.
Digitally superimposed onto the hat as brooches are two historical references: a 16th-century cameo bust of an African boy (https://www.metmuseum.org/art/collection/search/198288) and the face from the bust of an African princess mantel clock by Jean-Baptiste-André Furet, ca. 1784 (https://www.metmuseum.org/art/collection/search/202227) positioned as sacred symbols of history and legacy, rather than ornaments.
Hand-stitched directly onto the photograph, golden botanical motifs with stems decorate the lower part of her hat, symbolizing growth and legacy.
