“These Are Not Yams But They Are Damn Good” was presented at the Library Street Collective for an exhibition titled Beneath Our Feet. Historically, the yam is a diasporic plant. Enslaved Africans were barred from bringing indigenous plants with them to North America, and as a result, true yams were replaced—through the process of creolization—by sweet potatoes. While sweet potatoes are indigenous to South and Central America, they have been cultivated in North America by Indigenous communities since at least the 1700s. The subjects depicted in this painting are the same farm owners shown in Moore's Garden of Resilience.

This new piece pays homage to the Dutch and Flemish tradition of devotional painting, particularly in the form of religious garland paintings. Within elegant arrangements of flowers and foliage, he highlights Black figures relaxing or tending to gardens.